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Installation view of “Artemisia” at the National Gallery, London Treves’s attentive approach to telling Gentileschi’s life story through her art also emerges later in the show, where she spotlights another lesser-known facet of her practice: her numerous allegorical self-portraits. The gallery’s newly acquired Saint Catherine of Alexandria picture might sit as the crown jewel, but it’s a more humble self-portrait from the Royal Collection at the end of the exhibition which catches the eye. Here, Artemisia is hard at work on her latest masterpiece, her arm raised, paintbrush in hand, and her gaze firmly trained on her subject. It neatly echoes a quote included at the very beginning of the exhibition lifted from a letter to a patron that reads: “I will show Your Illustrious Lordship what a woman can do.” In place of the flamboyant self-portraits of the male artists of her age, Gentileschi’s more modest vision of herself as a hardworking painter toiling away at the canvas exists entirely outside the gasp-inducing bombast of her best-known paintings, and provides arguably the most powerful window into her life as a woman artist.
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